What we do / Film production

The film,
and every
version.

Commercials and branded film for agencies and brands, with the post and every cut-down, ratio and language planned before the shoot.

Send a film brief →

A cyclist crossing an ordinary concrete overpass at dawn, shown as a 16:9 master and its 1:1, 4:5 and 9:16 versions, each labelled with its ratio.

What you can buy

FILM PRODUCTION

From the shoot
to the files.

Full production for agency-led and direct commissions, or the parts you need: a shoot, the post, or the versions after the master is approved.

Send a film brief →

Included

Commercials and branded film
Live-action and mixed-method shoots
Previs, boards and shot planning
Casting, locations and crew
Edit, grade and sound
VFX, CGI and motion

Versions: ratios, cut-downs, languages
AI-assisted previs, cleanup and versions, named in the estimate
Adaptation for each market
Delivery to broadcast and platform specs
Production service in Hungary

Often with

How we approach it

Routes: Compared before we price it
Versions: Planned with the shot list

Say the film ends with the product unfolding out of its pack. It could be practical on the day, or a controlled CG pass. Both can look right. Which is better depends on how many market versions you need, and that’s a conversation to have before we price the shoot.

The version plan

Master: The approved film; Length, ratio and delivery spec agreed before the shoot.
Cut-downs: Every shorter edit; Each length listed with what it has to keep.
Ratios: 16:9, 1:1, 4:5, 9:16; Framing for each checked on the shot list, not found in the edit.
Markets: Languages and supers; Voice-over length and text-safe areas for each market.
Specs: Broadcast and platform; Format, loudness and file naming for each destination.
Sign-off: Who approves what; Each version has an approver and a date in the schedule.

Shooting in Hungary

Shooting in
Hungary?

Send the boards, the dates and what the locations need. If you’re asking about incentives, we’ll say plainly whether anything applies to your job.

Ask about production service →

With the estimate

The crews and suppliers we’d confirm for your dates
What the local plan covers
One producer on your side

Working together

We raise problems early.

With agencies

The concept and the client stay with you. We’ll tell you early if something in the execution will fight the schedule or the budget, bring another route when we see one, and make the version you sign off. We can work under your name when that’s the agreement.

Credits are agreed in writing before the shoot.

Versions and delivery

The film doesn’t end when the master is approved. A voice-over in another language can need longer shots, and each platform’s spec has its own safe area for text. We ask about both before the shot list locks.

Every delivery comes with a delivery sheet: files, specs, versions and rights.

Questions

Before the estimate.

Send a film brief

Will you turn my film into a research project?

No. If the script is set and the route is clear, we produce it. We’ll raise a question only when the answer changes the price, the schedule or the result.

Can you work under our agency’s name?

Yes, when that’s the agreement. Credits and confidentiality are settled in the contract.

What do you need for an estimate?

The script or board, the deliverables with ratios and markets, the date it goes live, and a budget range if you have one. Send what you have; we’ll ask for the rest.

Who’s responsible on our job?

One producer leads it from brief to delivery, including the parts that specialist partners deliver. The estimate names that producer and the heads of department we’d book, and says which are still to confirm.

Where’s the reel?

There isn’t one yet. A reel goes up only with films we can credit properly, with our exact role on each. Until then, the version plan above shows how we’d run your film, and the estimate names who’d lead it.

Do you shoot outside Hungary?

Yes. Budapest is our base and we work internationally, with a team put together for each job.

Do you use AI in production?

Where it does a specific job better, and the estimate names the job and the tool, so you can say no. We use it only on material we’re allowed to use that way, and often a camera is still the better tool.

Contact

Got a script
and a date?

Send the script or board, the deliverables with ratios and markets, the date it goes live and a budget range if you have one. We’ll come back with questions first, then a route and an estimate.

Send a film brief →Write to hello@badada.studio

The film, and every version.